It is my principle to stick to the way I know it. Everyone has his own unique place, and what is his sincere difference is the light of art.
     All these years, I have been working unremittingly, hoping to promote what I have explored and to sort out my understanding of oil painting and the style I hope.
Creativity comes from observation and thinking, I have been to have the right theme and a clear my own form in front of me. Though this process is rather slow, now, in some works that have been created, by summarizing and summarizing, we have found some coordinates of understanding and thinking as the fulcrum of style. I want to talk about my knowledge about the experience of creation.
First, I think we should choose to meet the theme of our times. I choose the characters and landscapes that have a realistic sense of pastoral charm. The modern city needs the natural back feeding, the human being is deeply trapped in the cement forest, it is the tragedy of modern civilization and the shallow place of the modern people. Even in the picture can express a little natural beauty and the precious place of human spiritual home, make my heart full of warmth and creative passion. I think most people have the same feeling, natural beauty is the eternal theme; a series of pictures are around this. For example, I do a lot of scenery on the scenery of the Yanshan mountains near Beijing, which is to show the "nature" of nature.
In nature, there are a lot of European painting experience. For example, the French rural landscape rich local flavor, deep emotion in English pre Raphaelite pastoral nostalgia. I am deeply touched by different aspects, and I want to present the sentimentality and attachment of our today with the most simple description.
I strive to seize every moment of touching hearts, there are many pictures are just very primitive "record", just a few blocks, a very rough, the color of cohesion is exquisite, but I have benefited from this, this batch of paint every time I do always in mind to leave a touch, and its creation impulse.
Is associated with a number of genre painting, especially some small paintings, some memorable impression I met in the folk songs. These works I also strive to "original ecology", as far as possible to retain the simple taste of the time. I think this is the most precious of the oil painting, the feeling of the scene, the response of the mind and nature, the dialogue. In fact, it is like sketching, and accumulates a kind of artistic aesthetic quality, and is sensitive to the natural breath. It is also the foundation of the development of his own style.
    当然，一个画家要有自己的主体风貌，必须有大的作品，在较大的创作中提炼。 At first I started with the scenery, and the most of what I painted was the Great Wall. First, because this is my most feeling theme, two is that she is the art, the historical charm of which makes me intoxicated, painting very interesting. I see this as a learning process, there are a lot of skills is formed in the process when the broken walls of the Great Wall. I often stare at the picture and suddenly find inspiration. It should be said that the kind of weight that is unique to the Great Wall has a great influence on the development of my oil painting style.
Painting material is a heavyweight, good at expression with a strong sense of the picture. I am very concerned about this, and try to extract a heavy aesthetic gene from which to build a broad and strong foundation. The Great Wall - winding pose ranked in itself is in high mountains and lofty hills, processing techniques of texture samples, I often to the Great Wall in the local small canvas do exercises.
Painting is painting the foundation. On the basis of sketching, the creation of characters is the main direction in recent years. A group of beautiful figure paintings of genre paintings have left my exploration footprint as the practice process. The theme is still to return to nature, but the focus is on the painting language structure on the picture, making the viewer's thoughts and aesthetics more in the picture itself. The big direction persists in realism, and opens up the way of reconstructing from the experience of the ancestors in the realistic frame of realism. Because nature is fundamentally not a symbol of concept, nature is a living visual reality, and it must be realistic to have strong expressiveness. I studied a large number of European classical oil painting techniques, such as Bouguereau, Alma Dadema, as well as works of masters of Holland in seventeenth Century. I find that the success of these masters is not mainly about plagiarizing nature, but their love for nature. They use the eyes of innocent love to see the natural and natural human's ingenious deduction. Realism is the visual reconstruction of the heart with sincerity.
So I'd rather call it "natural style", which is different from the general concept of realism. "Nature" does not mainly refer to the physical world I face, but also refers to the "I", which refers to a feeling when people integrate into daily life, a kind of immersion and moving. I take the material as a experience and take a lot of pictures of the manuscript.
The finishing process a lot of inspiration from the material. And the use of a large number of materials, selection and induction I think is also the foundation of the style of construction, including photographic material. There is a lot of collision screening, the image of the mind is gradually complete, and finally extends to the presentation of the whole picture.
Entered the picture, a lot of work is very specific, language and rhetoric in writing similar scrutiny. So this process is full of poetic form, the sense of rhythm and melody character, color and temptation, so the process is not only the need of patience and delicate, need more emotion and enthusiasm. I think this process is very "Aesthetical" and "custom", because I believe that "nature" and people, and the spiritual blood of the people are interlinked.